Hit man turned criminal genius? Former hypnotist and master of disguise? Mobster whose face was disfigured after falling in a vat of acid? Immortal evil being? At varying points throughout the Batman canon, the Joker has been all of these and more. On a more fundamental level, they may be asking some basic questions about the film’s story - and whether there’s more to it than meets the eye.įrom the start, Phillips was drawn to the Joker in large part because, for all of the character’s countless iterations over the decades, there has never been a single definitive version of the backstory of Gotham’s Clown Prince of Crime. As they leave the theater, audiences may be mulling over more than the film’s provocative portrait of an alienated loner pushed toward monstrous violence by an uncaring society on the brink of chaos. In every sense, this “Joker” stands alone.īut that’s not to say that everything is neatly wrapped up with a bow by the time the credits roll. ![]() If you stick around hoping to see a tease of the soon-to-be-rebooted Batman franchise or any other upcoming installment in the DC cinematic universe, you will be sorely disappointed. Unlike virtually every other modern comic-book movie, the film - which rides into theaters today on a wave of sharply divided reviews, concerns over potential violence and endless think pieces about what it all means - has no post-credits sequence. ![]() ![]() When the words “The End” appear onscreen at the conclusion of “Joker,” that really is the end.
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